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Iolanthe Chorus member 









Front page of the Iolanthe/ Patience throwaway









Iolanthe Chorus member 



Director - John S Brewster 

Musical Director George W Lingard



Director - A Knight Craighead 

Musical Director George W Lingard



Words by W.S. Gilbert 
Music by Sir Arthur Sullivan


The Story

Twenty-five years after her banishment from Fairyland for marrying a mortal, a crime usually punishable by death, Iolanthe has been pardoned. She had a son by this illicit marriage, Strephon, who is, therefore, half mortal and half fairy. He is in love with Phyllis whom he is determined to marry. However, in order to do so he needs the consent of her guardian, the Lord Chancellor, who shows little enthusiasm for the idea of his ward marrying a mere shepherd. When Strephon turns to his mother for comfort, Phyllis misinterprets their intimacy (as a fairy Iolanthe has not physically aged beyond a certain point) and, believing him to be unfaithful, she renounces her love for him. Although he protests that Iolanthe is his mother, his claims are met with derision by Phyllis and the peers (who are unaware of his parentage) and even the intervention of the Queen of the Fairies cannot persuade them otherwise. Furious at their attitude, she declares that Strephon will enter Parliament and will work to overthrow all the privileges enjoyed by the nobility, a job at which Strephon is successful. However, he finds it no substitute for Phyllis and, with no further reason to conceal it, he reveals his fairy origins to her. This explains Iolanthe's apparent youth and the couple become re-engaged. At Strephon's request, Iolanthe puts their case to the Lord Chancellor, but has to disguise herself before doing so as, unbeknown to him, he is her mortal husband and she is forbidden to enlighten him under pain of death. Unfortunately, when he declares that he has decided to marry Phyllis himself, she is forced to reveal her true identity although this will mean forfeiting her life. However, when it emerges that the other fairies have committed the ultimate offence and married the peers (i.e. mortals), the Lord Chancellor suggests that the law be amended so that it is a crime for any fairy not to marry a mortal. The Queen happily selects a mortal for herself and invites the whole company to join her in Fairyland.  

What the papers said


The Scotsman - "It may be safely said that a better presentation of the fairy opera by an Amateur company could not be desired .  It would indeed compare favorably with some  professional companies that tour the provinces"

N.B Advertiser - "The acting and singing were excellent.  The piece went without a single hitch, the prompters voice was never heard - a rare exception in amateurs - and from the first to the last the representation reached a standard of excellence that has not been equaled by any operatic company in Edinburgh within recent years"


Evening Dispatch -"This year the company had decided to present "Iolanthe" and "Patience."  The former was staged last night at the Lyceum Theatre and the well-filled house - almost every seat was occupied - was evidence of the popularity the company has attained.  Last night's performance in many respects was better than anything yet achieved."



The Music Includes:

None Shall Part Us
Loudly Let The Trumpet Bray
The Law Is The True Embodiment
When All Night Long A Chap Remains
When Britain Really Ruled The Waves
Love Unrequited Robs Me Of My Rest

Southern Light Opera Company 2005